Here is a link to the previous post, How to Write an Article.  If you ever have trouble finding a post, use the calendar on the side, the "Tags" section, or the search box at the top of the screen.

I just spoke with Borders in Midtown, and they will allow you all to use my educator discount when you purchase a copy of Malcolm Gladwell’s The Tipping Point.  I had to cancel my order with B&N, but with our history of weird order times, I’m not too broken up about it.

So.  The order should be in the store by Wednesday, April 2nd (which is the beginning of the discount week).  Stop by, ask for the book at the front counter, ask for the 25% educator’s discount, and read to your heart’s delight.  If they question your educator status, politely ask to speak with the manager and explain what I’ve just told you.  There should be no problem.

We will peer review our articles in class on Monday, March 31st, so please bring a completed draft at that time.  We’ll work together to improve clarity and structure, and share ideas for catchy titles.  The final draft of Articles are due on Tuesday, April 1st.  We will present them to the class at that time, and pass copies around (possibly via email–that would be a lot of paper) for everyone’s enjoyment.

If you are having trouble coming up with a topic, ask during class.  We can all work together to come up with great ideas.

One last thing: We will be wrapping up our discussion of Everything Bad in class tomorrow.  If you have not finished the book, complete as much as you can tonight.  We had a great discussion in class today, but it will be much better if we are all on the same page.

Here are some (legible) notes from our discussion in class.  While we are going to be using these steps to create newspaper/magazine articles, the process is the same for coming up with a topic for just about any type of nonfiction writing.

• Choose your topic.  It should be something you’re interested in, something you have a question about.
• Research your topic. As you go, make sure you have a solid understanding of your topic. If you don’t understand your topic, you are likely to confuse or put off your audience.
  • Take notes, mark up your book, look up other sources, mark them up.  This step is important.  You’ll thank yourself later if you do this.
  • As you consume, ask questions of the work:
    • Am I a cockroach?  Does the author’s comparison work?
    • Is radio really irrelevant?  Does music really make commercials better?
    • Where are video games headed?
    • Why do people go to Disney World?
    • Where can I buy one? [Okay, that last one would be a short article.
  • These questions will become the “prompt” for your essay.  The great thing about it is that you can change your question if the answer seems obvious or the answer would take too long to come up with.  [Avoid “What is the meaning of life,” for example.  (Unless your answer is “42.”  Wait, that’s too short.)]
  • After you find your question, begin thinking about a possible answer.  Read through your notes, look for other sources, and talk with friends that know something about your topic, and some that don’t.  The first group can help clarify and help with ideas, while the second can ask questions and check your understanding.
  • Begin writing your article.

  We’ll talk about the last steps tomorrow.

[This post was WinsomeWiki’d on 5 Jul. 2009.]

[Note: This is a re-post from last year.  I’ve made some minor alterations to the text, but the content is mostly the same.]

Voice is the second most important aspect of rhetorical (or persuasive) communication. When the communication is written, we call this aspect the author’s “style.” I assume that many of you have been introduced to the style analysis paper in other courses, probably Freshman or Sophomore English. If not, have no fear. Here is a quick review.

When we describe voice in a rhetorical argument, we are actually describing six things. I will refer to them using the acronym T-DIDLS (“tee-diddles”) because it sounds funny and we can all remember it. The first letter stands for TONE, which will be described throughout this series. The second is DICTION, which we will be covering today.

Diction is how we describe an author’s choice of words. You will rarely find a character in a novel “saying” anything; often, they “shout,” “mutter,” “respond,” or “sneer.” This allows the author to pack as much meaning into one word as possible. The same goes with descriptive words. So, instead of describing a scene like this:

The old cat was bad for the man’s asthma.

An author could describe it this way, with more interesting diction:

The dandered and decrepit cat irritated her owner’s asthma.

Okay, so I may not be the next Faulkner, but I hope you get the idea. The words “dandered” and “decrepit” in the second sentence replace “old” in the previous sentence. Not only is the second sentence more interesting, but it more specifically describes the situation. By adding the word “irritated,” a TONE of frustration or annoyance is added to an otherwise frank explanation of events.

Another aspect of diction depends on the author’s purpose. If the author intends to entertain, there will be much laughter and gaiety all around. His or her word choice will reflect a relaxed diction; informal and colloquial words like “um,” “okay,” “well,” and “K,” “LOL,” “whatcha up to?,” and “nuthin'” are all relaxed words that put the reader in a mind to be entertained. On the other hand, if the author’s purpose is to inform, then the words will be much more formal. Academic writing, presentations, most speeches, and any proposals or resumes are written in precise and proper words:

Both Vladimir Nabokov and Marcel Proust state that the worldview they held as children was slanted and inaccurate, yet each devotes much of his story to the recollection of his formative years. Each has devoted numerous pages to narrating or explaining scenes of his early youth that have affected him later in some manner, profound or otherwise. One should certainly wonder, then, what it is about childhood memories that endow them, for these men, with such weight in later life?

Enough of that. It informs, but only if you are really interested in Speak, Memory or Remembrances of Things Past. Which we aren’t; not at this point.

Quick Self-Quiz: Can anyone label the diction I am using throughout this explanation? Take into consideration my purpose and goals.

[This post was WinsomeWiki’d on 5 Jul. 2009.]

If you cannot print your essay at home, please print it before school in my room or at one of the other computers around the building. I will not accept a paper turned in after the beginning of class.

As always, if you have any questions please ask.