Here’s Ward Shelley’s Homepage; we looked at a few of his graphs in class.
Our other source, at Golden Age Comic Book Stories, provides a run of political cartoons through the war. The Great War.
Have other links? Share ’em in the comments or shoot me an email.
“Well, to me, drawing from life is about observation and about looking, and to me, cartooning is about remembering and about reading. Fundamentally, the difference between comics and fine art, for lack of a more pretentious distinction, is the difference between reading pictures and looking at pictures. When I draw comics, I draw pictures that are ideograms — you read them rather than look at them. If they are interesting as images, you are more likely to slow down and concentrate on them.”
via Interview with Chris Ware Part 2 of 2 « The Comics Journal.
“That’s one of the hardest things to do in comics: to create a character through which the reader can actually feel his or her own emotional memories. It’s much easier in a novel, but when you’re in a sort of half-blind state of looking at pictures on a page, you’re always being bounced back off the page. I really think that that’s Charles Schulz’ greatest achievement as a cartoonist: He really created the first sympathetic cartoon character in Charlie Brown — that was the first cartoon strip with a character that you really, really cared about deeply, so I’ll thank him for that.”
Interview with Chris Ware Part 1 of 2 « The Comics Journal.