Persepolis has arrived!

British Literature

April 26th, 2008

Themes: ,

You can pick up your copy of Marjane Satrapi’s book at the Barnes and Noble on 41st.  Begin reading for our discussion on Monday.

This weekend, be thinking about a work that you would like to illuminate.  It can be in any medium that you like.  While you should be true to the original, an adaptation is fine.  We’ll talk more about this on Monday.

The books are in!

Contemporary Fiction

April 26th, 2008

Themes: ,

You can pick up a copy of Chip Kidd’s The Cheese Monkeys at the Barnes and Noble at 41st.

We are writing reviews of our graphic novels over the weekend.  They need not be longer than a page.  If you aren’t sure how to begin, check out popmatters.com for some good examples. 

Artists and Graphic Novels

British Literature

April 18th, 2008

Themes: , ,

Oh goody.  We’re moving to graphic novels.

Your homework for this weekend is to travel to your favorite local book purveyor (or Amazon, if you’re willing to order right now and have it overnighted) and browse the graphic novel shelf.  Find a book that interests you, purchase it, and bring it to class on Tuesday.

“But wait,” you say, “I don’t like superheroes and I’ve never even touched a graphic novel.  Heck, I don’t even know where to start.”  Tilting my head in consolation, I respond: “Aww, shucks.  I’ll help you.”  Offering a nick to the chin, we begin our journey:

Graphic Novels 101: A story in which your kindly teacher leads you through the illustrated world of the graphic novel, ending in your personal discovery that the most often looked down upon medium actually contains stories worth reading.  And studying.

First lesson, a list.  These are the cream of the crop.  The first three are autobiographical (though Jimmy Corrigan is only partly so); Sandman is masterfully written fantasy; Cerebus is part fantasy, part social satire (think Gulliver’s Travels with an aardvark); the final two are modern superhero tales.

Now, go out and consume.  Remember, this list is merely a starting point; find a work that piques your interest, not one that you think I want you to read.  Remember, remember, graphic novels are occasionally violent and may contain images that are inappropriate for high school.  You should get parental approval before purchasing anything not on the above list. Also, remember, remember, the fifth of November, the gunpowder treason and plot…

[Note: I realize that I am completely ignorant of authors, titles, movements, styles, etc. in the manga genre.  Please forgive this, and know I will accept any guidance you can offer in this realm.  I also realize that the Graphic Novels 101 subtitle contains an overly long sentence followed by a fragment.  Do as I say, not as I do.]

Internet Goodness: Articles and RSS

Internet Goodness

April 18th, 2008

Remember, we will be sharing articles on Tuesday.  Bring an article that you find interesting, something for the class to discuss.

To assist you in your search, I thought I’d share this with you:

I use the Google RSS reader, but there are others out there. (See links in video.)

Here are a couple of good article sources that I use:

I’m a big fan of these last four.  You might say they’re the winning-est blogs on the web.  You’d be wrong, but the wordplay remains.  If you choose no other feed, subscribe to these:

If you have any further questions about RSS feeds or any other Internetness, post a comment below.  The next post in my Internet Goodness will be about the wonders of Google docs.  Never have to deal with emailing a report to yourself again!

By popular request…

AP Language

April 18th, 2008

Themes:

a post chock full of links, video, books, and discussion topics.

I shared some cool contemporary artists with you on Thursday, promising links for browsing.  Here you go:

Colin Meloy interlude…

This is one of those careers you never think about.  The Believer interviews Sandy Reynolds-Wasco, set decorator for Quentin Tarantino, Wes Anderson, and… Just check it out.  Another testament to the underlying thought that goes into any good piece of art in order to communicate an idea.

I especially love the statement about Owen Wilson’s character’s rocket sheets:

They sort of made sense in that room somehow, in a way that was authentic and quirky and fundamentally human.

I wrote about "quirkiness" in film yesterday.  If you haven’t read that post, check it out here at The Winsome Scholar.

More to come later.  If you haven’t purchased Pearson’s The Princeton Review, please do so.